The exhibition at the Georges Pompidou Centre for Modern Art in Paris, put together by joint curators Fabrice Bousteau and Sophie Duplaix gives us an India that is emerging from the old stereotypes of Maharajas, poverty and spirituality
The Georges Pompidou Centre for Modern Art in Paris, better known as Beaubourg, on May 25 opened its doors to an ambitious exhibition of modern art, a joint effort by Indian and French artists. In a huge space spread across 2000 square metres, 47 Indian and French artists, many of them specially commissioned to produce original works for this show, give us their vision of India.
The exhibition, put together by joint curators Fabrice Bousteau and Sophie Duplaix gives us an India that is emerging from the old stereotypes of Maharajas, poverty, spirituality and snake charmers to one of transition and transformation; an India that is shedding its old skin and growing a new one that is more dynamic, active, creative, novel and full of contrasts.
Of the 100 odd paintings, sculptures, photographs and installations on view, about 70 were commissioned for this show.
France has long turned its nose up at contemporary Indian art. Established Indian painters such as M.F. Hussain, S.H. Raza, Gaitonde, Francis Souza or other stalwarts, have never received critical acclaim or much attention from one of the snobbiest centres of art in the world even when their works were selling for millions of dollars in art auctions worldwide. In fact Raza, who spent over fifty years living in Paris was so hurt and annoyed by the treatment he received at the hands of French critics that he decided to sell his property in France, abandoned the idea of creating a foundation and returned to India. It is as if Paris had decided it would discover modern Indian art on its terms and at its own pace.
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